There’s a reason networks often save their weakest fare for the time of year when more people are less likely to spend their evenings indoors.
But when it comes to new shows, you can bet networks generally save the worst for last. In the coming months, viewers can look forward to some stellar series this spring (including ”The Handmaid’s Tale,” “American Gods,” “GLOW”), while they’re more or less better off embracing the warm weather and misplacing their remotes by the time summer hits.
With allegations that former Nasty Gal CEO Sophia Amoruso was accused of creating a “toxic” workplace, it’s easy to see why the lead character of Netflix’s “Girlboss” is so incredibly unlikable. The question, however, is why would anyone want to spend a significant amount of time watching her?
“Girlboss” is loosely based on Amoruso’s memoir of the same name and tells the story of how she began her vintage clothing eBay shop, before it became what we now know as Nasty Gal.
The show stars Britt Robertson as 23-year-old Sophia, a college dropout who works menial jobs and yet can somehow afford a studio apartment in San Francisco circa 2006 ― and, damn, is it ever hard to watch. Sophia is petulant, whiny and often just flat-out mean. What’s worse is that the series rarely gives you a reason to root for her. Characters don’t always have to be likable, but there has to be at least some reason to follow a person through their journey. With “Girlboss,” there’s nothing here.
”Great News,” the new workplace comedy from executive producer Tina Fey, can’t be described as great, or even good.
The show follows Katie (Briga Heelan), a wallflower of a producer at a cable news program called “The Breakdown,” and her overbearing mother (Andrea Martin), who manages to land a job as as the show’s intern. Hilarity ensues, right? Not so much.
The show’s jokes just repeatedly fall flat, though surprisingly it’s Nicole Richie as a super-hip if slightly vapid co-anchor who actually shines brightest.
What do you really know about Albert Einstein, aside from the fact that he developed the theory of relativity? National Geographic is willing to wager that answer is very little.
“Genius” is an anthology series from executive producers Ron Howard and Brian Grazer about the lives of those deserving enough to be deemed as such, and Season 1 kicks off with none other than Mr. E = mc2 himself.
Based on Walter Isaacson’s book Einstein: His Life and Universe, the show stars Johnny Flynn when Einstein was a student in Zurich the 1890s, and Geoffrey Rush, as his older counterpart against a backdrop of the rising anti-semitism in 1922 Berlin, Germany.
Hulu’s “The Handmaid’s Tale” is by far the best new show debuting in the spring and summer season, and is based on Margaret Atwood’s 1985 dystopian novel. If you don’t already have a Hulu account, you’re going to want to sign up for one today.
Set in the not-too distant future where a fundamentalist Christian regime rules over the former United States, now known as the Republic of Gilead, women have been stripped of their rights and any sense of life as they once knew it. Elisabeth Moss stars as Offred, a woman who is forced to bear children for high-ranking men and their wives, after environmental problems cause widespread infertility issues.
The series is a chilling reminder of how quickly the Republic of Gilead could become a reality.
If you liked “Dear White People,” the movie, then you should probably watch it again, because the 2014 film from writer/director Justin Simien is far better than Netflix’s 10-episode series.
That’s not to say the series adaptation is a failure by any means. The show is still a smart and sharp take on the complex issue of race relations, and is definitely worth checking out.
The series picks up where the film left off in the aftermath of a racist blackface party, which has left a campus divided. Episodes are told and then retold through different student’s perspectives, which requires some commitment by the viewers since that format can feel awfully repetitive.
“American Gods” is absolutely the weirdest and most mind-bending new offering this season. Starz’s visually stunning new drama is based on British author Neil Gaiman’s 2001 fantasy novel of the same name and requires total suspension of disbelief.
In this America, gods live among us mere mortals. There are two types of gods ― old and new. The old are the ones you’ve read about in myths and were brought to America by faithful immigrants centuries ago, while the new gods have gradually replaced the old ones and were born out of our modern obsession with media and technology.
As war brews between the gods, an ex-con named Shadow Moon (Ricky Whittle) finds himself caught between the two sides.
Netflix’s “Anne with an E” is easily one of the most charming new shows. Yes, this is yet another adaptation of Canadian author Lucy Maud Montgomery’s beloved children’s novel Anne of Green Gables, but it’s by far the best.
Amybeth McNulty stars as Anne Shirley, the young orphan who never stops talking, who comes to live on Prince Edward Island with elderly siblings Marilla (Geraldine James) and Matthew Cuthbert (R.H. Thomson).
While you may have read the book 100 times as a child, Netflix has managed to reenergize the story for modern audiences without betraying its source material. If anything, “Anne” digs deeper at some of the darker elements that Montgomery glossed over in the novel, and is a thoroughly binge-able experience for all ages.
The show stars Kathryn Hahn as a filmmaker in an unhappy marriage who follows her husband (Griffin Dunne) to his writing residency in Marfa, Texas, and becomes completely infatuated with a professor named Dick (Kevin Bacon).
“I Love Dick” is the latest show from “Transparent” creator Jill Soloway and is an intentionally uncomfortable yet humorous examination of human sexuality and the female gaze.
From ABC comes “Downward Dog,” a sitcom about a dog named Martin and his owner, Nan, (Allison Tolman), a woman struggling to get ahead at work and make sense of her personal life.
The show is told from Martin’s perspective’s via his internal monologue, voiced by Samm Hodges. The series is inoffensive enough, if you can stand to listen to Martin, who is the male incarnation of a droning Valley girl in canine form.
Showtime didn’t provide any screeners for “Twin Peaks,” which is returning as a limited series 24 years after David Lynch’s original version ended.
Because of this, we can only tell you what you probably already know: Lynch will direct the entire series and you can expect to see many familiar faces, including Kyle MacLachlan, who returns as FBI Agent Dale Cooper.
Showtime’s new drama “I’m Dying Up Here” is a look at the lives of stand-up comics trying to make it in Los Angeles in the 1970s ― and you’ll be tempted to heckle if you can muster the strength to make it through a full episode.
Yet another show based on a book, the series is inspired by William Knoedelseder‘s 2009 nonfiction work I’m Dying Up Here: Heartbreak and High Times in Stand-up Comedy’s Golden Era and features an ensemble cast including Ari Graynor, Melissa Leo, Clark Duke, Michael Angarano and RJ Cyler.
Even if you’d rather do just about anything else than watch professional wrestling, you really shouldn’t discount Netflix’s new original series “GLOW.”
Inspired by the real story of the 1980s women’s wrestling league “Gorgeous Ladies of Wrestling,” “GLOW” is one of the most enjoyable shows to debut this season.
Alison Brie stars as a struggling actress desperate to make it in Hollywood, giving one last shot at her dreams when she auditions for a series about female wrestlers. Featuring an outstanding and diverse cast, the series hilariously tackles issues of racism, stereotyping, sexism and sisterhood in the world of women’s wrestling.
Freeform’s “The Bold Type” is inspired by Cosmopolitan and its editor-in-chief Joanna Coles, and it’s the perfect show for summertime viewing.
Starring Katie Stevens, Aisha Dee and Meghann Fahy as three friends working at Scarlet Magazine, the show follows the young women as they navigate their careers and personal lives in New York City.
This show is exactly what you would expect from reading Cosmo ― not a bad way to curl up on the couch with a glass of wine.
The remote town of “Midnight, Texas” seems to be the supernatural center of the United States with witches, ghosts, assassins, angels, psychics and other creatures calling it home. But there is entirely too much going on.
Based on the trilogy series of the same name by author Charlaine Harris, “Midnight Texas” follows Manfred (François Arnaud), a psychic who can communicate with the dead, as he arrives in Midnight and befriends fellow outsiders like himself.
USA’s “The Sinner” is a different kind of thrilling mystery that finds Jessica Biel starring in a TV series for the first time since her days playing Mary Camden on “7th Heaven.”
Biel plays Cora, a young mother who commits an unspeakable act of violence against a stranger at the beach. There’s no question that she did it. The only question is why. Bill Pullman also stars as a detective obsessed with uncovering Cora’s motives.
As the series delves into Cora’s past and pieces together what happened that day at the beach, chances are you’ll be just as obsessed.
“Saturday Night Live” is on hiatus this summer, but Colin Jost and Michael Che will fill the void with “Weekend Update” ― a 30-minute primetime version of the long-running segment. With “SNL” seeing some of its highest ratings in years, Jost and Che will keep things going in August and make sure you’re on top of all the news that can be satirized. So, basically everything.
Marlon Wayans stars in what’s supposed to be an update on the classic family sitcom, but this isn’t anything we haven’t seen before.
“Marlon” is loosely based on Wayans’ real life as he plays a wise-cracking, over- protective yet immature father to two precocious kids (Amir O’Neil and Notlim Taylor). He also appears to share a too-close relationship with his ex-wife (Essence Atkins).
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