'The Carmichael Show' Will Air Uncensored N-Word, Its Creator Says

Prime time is about to get real.

Instead of using a euphemism such as the “N-word,” NBC’s family sitcom “The Carmichael Show” will air the unedited, full racial slur several times on an episode this summer, Variety reported Monday.

“‘N-word’ is childish… say it!” creator and star Jerrod Carmichael said to reporters at an NBC press event Monday. “We know what we’re talking about. We’re not speaking to children.”

Actress Loretta Devine, who plays Carmichael’s mother on the show, offered some historical perspective. She said that 1970s sitcoms such as “All In The Family” and “Sanford and Son” uttered the uncensored word but that was “before political correctness,” Variety reported.

A parental advisory will precede the episode when it appears in its regular 9 p.m.(Eastern) Wednesday time slot, Deadline noted.

The show, inspired by standup comic Carmichael’s life, centers around an opinionated African-American family in North Carolina. It has previously covered such difficult topics as Bill Cosby and Black Lives Matter, Uproxx noted.

“The Carmichael Show” returns for its third season on May 31.

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Nicki Minaj Tops Aretha Franklin's Billboard Record With 76 Hits

Nicki Minaj is feeling her new Billboard record. On Monday, the rapper racked up the most Hot 100 hits of any female artist with 76, besting the previous record set by Aretha Franklin with 73.

Franklin held the record for most Hot 100 tracks for nearly four decades, according to Billboard. But after tying for the title earlier this month, Minaj released three new songs that tipped the scales: “No Frauds” with Drake and Lil Wayne, “Regret in Your Tears” and “Changed It.” 

She reacted to the news over Instagram. 

“Man, I tell ya… God said he ain’t done showing off yet. Lol. Walked off stage to find out history was made yet again today,” she wrote, before expressing gratitude to her fans.

“I fkn love u guys more than I’ll ever be able to put in words. Thank u so much for your unwavering love & support. God bless each & every one of you.” 

After Minaj and Franklin, Taylor Swift still sits in third place with 70 hits in the Billboard ranking. 

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Trump's Signature Education Goal Has A Long History With White Flight

Debates about the viability of school voucher programs have focused in recent months on programs with lackluster or spotty academic records. But there’s another issue raised by the potential expansion of public financing for private schools: an exacerbation of segregation.

A brief released Tuesday by the left-leaning Century Foundation takes a look at the limited research on race and school voucher programs to glean what expansion of these programs at the federal level would mean for student diversity. The brief’s results are mixed, but it posits that these programs slightly increase segregation in private and public schools.

The report comes after President Donald Trump’s proposed budget set aside $250 million for a still-opaque “private school choice program” and after Education Secretary Betsy DeVos claimed at her confirmation hearing that school choice programs lead to more integrated schools

The history of school voucher programs is tied up with ideas of white supremacy. To avoid school desegregation as a result of 1954’s Brown v. Board of Education ruling, some Southern states created tuition grants to allow white students to attend all-white private schools in the 1960s. Some of these private schools still exist, though they are no longer specifically for white students. 

White students continue to dominate private school demographics, in part because of this racist history, says Halley Potter, the Century Foundation fellow who wrote the brief. It’s a history that must be considered when looking at the future of these programs.

“It’s important to realize that a lot of people think about private school vouchers as providing more opportunities for students of color, but there’s also a trend borne out in the data that white families tend to use private school vouchers to leave diverse public schools to attend more white schools and religious families move to parochial schools. There’s a real sense of sorting there that promotes segregation,” Potter said.  

There is a dearth of research that directly tracks school segregation as it relates to voucher programs. Potter’s study looks at available data from programs around the country and overseas and finds that these programs tend to slightly exacerbate issues of segregation, although the record is certainly uneven. This can happen when white students use these programs to leave schools where they are in the minority and go to schools where they are in the majority. In some instances, black students leave schools where they are in the majority to go to schools where they are similarly in the majority.

Many private schools that utilize vouchers in programs around the country are religious. They are not required to accept every student. They are allowed to maintain policies that restrict the enrollment of certain groups of students ― like LGBT kids. While some voucher programs are targeted to low-income students, others have a wider income threshold for participants. 

DeVos has long championed voucher programs. Although Trump has emphasized his desire to expand private school choice options, it is unclear how exactly his administration will do so and whether or not it will be in the form of a voucher. 

A previous study conducted by university researchers in 2006 also detailed how race can influence one’s views about school voucher programs. Among white families, the study found, “support for vouchers increases with the proportion of minority students in the local public schools.” This was not the case with non-white families. David Kirkland, an associate professor English and urban education at New York University, pointed to this study as evidence that school vouchers exacerbate white flight. 

“It’s an essential part of American history,” said Kirkland. “People who can separate themselves, residentially or within the enterprise of education, usually do. We recognize this as a dark side of pure choice. People with elite status, power, usually choose to separate themselves from those of us with less power.”

It’s an essential part of American history. People who can separate themselves … usually do. We recognize this as a dark side of pure choice.
David Kirkland, New York University

On the flip side, the country’s first voucher program in Milwaukee was started by black leaders who felt that the public school system wasn’t adequately serving black students. Gerard Robinson, a resident fellow with the American Enterprise Institute, also noted that the phenomenon of public money going toward private schools existed in America long before Brown v. Board of Education. 

“There are people who simply do not like private education and do not like public money going to private schools,” said Robinson, who writes in support of voucher programs. “It’s simply an opportunity for people to use their tax dollars to pay for education in a setting they believe works best for their children.”

Robinson, who had not seen the Century Foundation report, said that it is unfair to criticize private schools on issues of race when the nation’s public school system remains incredibly segregated. He noted other evidence that these programs actually lead to increased interaction among students of different races. 

“If the public school system itself has not been able to do so, why are we going to stop students from going to private schools because somehow that leads to more segregation?” Robinson said. 

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No African Citizens Could Attend A Summit On African Trade After Visas Denied

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No delegates from Africa attended a summit on African trade after the visas of planned speakers and attendees were not issued ahead of the conference, VOA reported last week.

The organizer of the African Global Economic & Development Summit, an annual three-day conference held at the University of Southern California, told VOA that every person single person was denied entry to the U.S.

“Usually we get 40 percent that get rejected but the others come,” said Mary Flowers, the conference’s chair. “This year it was 100 percent. Every delegation. And it was sad to see, because these people were so disheartened.”

The summit, held each year since 2013, aims to connect African businesses with U.S. investors. This year’s event focused on renewable energy, including wind and solar power projects. The conference went on last weekend as planned, but suffered from diminished attendance. Flowers told The Guardian that between 60 and 100 people from at least 12 countries were denied entry and could not attend the conference. 

A State Department official declined to discuss the particulars of the would-be conference attendees’ cases. 

“We do not discuss the details of individual visa cases,” the official said in an email. “Visa records are confidential under Section 222(f) of the Immigration and Nationality Act (INA). Additional information on the visa process can be found at travel.state.gov.” 

The visa denials comes as President Donald Trump’s administration attempts to crack down on travel from select majority-Muslim countries. Earlier this month, Trump signed an executive order blocking travel to the U.S. from six countries, including three in Africa: Libya, Somalia and Sudan. Flowers told the Guardian that no citizens from those countries sought visas for the event. 

A federal judge has blocked Trump’s order from going into effect. However, travelers from countries across the globe have faced immigration troubles and visa denials since Trump first issued a travel ban in January.

Earlier in March, several performers set to perform at SXSW were reportedly turned away at the border on their way to the festival in Austin, Texas. The same weekend, a group of musicians from Morocco canceled a performance at a New Orleans music festival after their visas were denied. Days earlier, a group of children from Ghana was denied visas to perform West African dancing and drumming in Charleston, South Carolina. In late February, several members of the Tibet women’s soccer team were denied visas to attend a tournament in Dallas. 

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Ed Sheeran's 'Shape Of You' Gets An Unexpected Latin Remix

Ed Sheeran and reggaeton may not seem like an obvious fit, but Zion & Lennox are here for it.

The Puerto Rican reggeaton duo is behind the Latin remix to Sheeran’s “Shape of You,” posted Friday on YouTube. The British superstar and Zion & Lennox are both under the Warner Music label. 

“We were thrilled to work on this amazing track because everything about it is beautiful,” the boricuas told Billboard. “The rhythm, which is very Caribbean, everything. It’s very representative of what he can do with music. We saw him last year and he had a country song, you’d never imagine it’s Ed Sheeran. For us it was great news to be able to make this happen. The result is epic.”

The song sounds very similar to Sheeran’s version, keeping most of its original rhythm. Zion & Lennox’s remix features several Spanish-language lines.

Listen to the Latin remix of “Shape of You” above.

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I Made A Film About Diversity Because Nobody Else Would

A while back I wrote a piece titled “Hollywood Needs More Brown Superheroes”, which was about diversity in the entertainment industry, but also about how I really wanted to be a brown superhero or Jedi. As an Indian actor, I was growing frustrated over the limited variety of roles I could audition for. The representation of brown people in movies and television is just sad. A bunch of nerds to be sidekicks for the charming white lead, or ‘unnamed terrorist’ numbered one through thirty for the human shooting galleries in our America’s-The-Shit action flicks.

It took less than three auditions in my pursuits before I heard my first, “Can you do the accent?” It didn’t make it better that a bunch of my instructors would tell me things like, “I’ll be real with you, you’ll probably be typecast.”

It didn’t take long for me, as a minority actor, to realize that roles of any real substance are rare. I found myself falling into cynical asshole mode, skeptical of every gig that came my way. But that’s not the type of creative I wanted to be. I decided to fight for my worth, something I initially did out of great anger. I wanted to pride myself on being the Indian dude that wasn’t going to take any shit.

It took me a while to understand that anger was not the move. Adopting a more assholish disposition wasn’t helping my situation. It was only making me more difficult to relate to and it certainly didn’t get me any more gigs. My voice was becoming a noise that blended in with everyone else’s, which is exactly what I was trying to avoid in the first place. This opened me up to a lot of hypocrisy.

 

Rather than killing myself with auditions for shitty roles I didn’t want, I elected to create one for myself and for the other misrepresented people in my life.

 

When your perspective is so tightly framed on your own frustrations, you fail to see others who are also struggling to find an adequate representation just like you. I was taking a pain felt by many performers of color and turning it into my own very self-centered thing, as if I were the only one experiencing discrimination in the industry.

I remember going on an angsty rant about how I couldn’t stand being stereotyped within the industry. When one of my close actor friends showed empathy, I completely rejected the notion that she could understand my frustration. She didn’t share my dark skin and background, how could she possibly know?

She checked me real quick by letting me know that most of the roles she goes for are of the vapid love interest or manic pixie dream girl – and much of that media perception translates over to her real life. She revealed that many people would completely dismiss her intelligence only because she was a woman.

In my self-centered ramblings about feeling under-represented, I almost completely shut down someone else’s similar experience. Sometimes you have to be made aware of your assholish-ness – the media’s portrayals I hated so much had actually negatively informed my thoughts on others. Well, fuck. What was a boy to do?

Representation and inclusivity became prominent topics on my mind. The more I explored these topics, the more I became aware of diversity as an issue across the board. I continued to speak to diverse creatives and performers, and collected a series of conversations which I decided to turn into a project of my own.

Rather than killing myself with auditions for shitty roles I didn’t want, I elected to create one for myself and for the other misrepresented people in my life. I decided to create ‘Self-Love’, a 20-minute short film based on my experiences and the experiences of my friends within the entertainment industry, specifically with regards to diversity and representation. The film served as a means of channeling my own frustrations in a healthier way. I’m not getting the roles I want? I’ll create my own. My friends aren’t having their stories shared? We’ll share our own. I wanted to feature Indian people in lead roles.

Rather than giving into the anger, I chose to take responsibility for my voice and acknowledge its power. My voice is still in its infancy but that’s fine. The point is, as diverse creators we have to continue to nurture and push our voices louder and further. That’s how we break the mold.

The characters in this film mirror the process of the film being made. They acknowledge the misrepresentation within the industry, define their self-love, and eventually feel powerful enough to create something on their own.

We had no budget and relied heavily on whoever could slot us in their busy schedules to participate. Some professionals and some people chipped in to tell a story they felt strongly about. We shot the project over a four-day period in New York.

It’s a tricky thing telling a story about diversity in such a crunch because you can’t cover as wide a range of people as you’d like. It’s not a perfect film, but so much heart went into its creation. It’s an important stepping stone for me, and has inspired me to make more intricately crafted projects featuring a diverse group of people in the future. The lesson? If you’re pissed at misrepresentation, don’t wait for the industry to fix things, go out and fix it yourself.

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Dave Chappelle Explains How Comedy Central Hurt His Feelings With ‘Key & Peele’

Dave Chappelle is a bit disappointed over some of the new developments at Comedy Central.

During a candid interview with “CBS This Morning,” Chappelle talked to co-host Gayle King about an array of topics, including his 2005 exit from Comedy Central. Following two successful seasons of “Chappelle’s Show,” the 43-year-old comedian says he walked away from a $50 million deal to relocate to South Africa and focus on fostering a closer relationship with his family.  

Several years later, in January 2012, comedians Keegan-Michael Key and Jordan Peele launched their very own 30-minute sketch comedy series on the network titled “Key & Peele.”

Despite being a fan of their show, Chappelle says that he noticed certain “conventions” ― regarding the race-related skits ― that the network previously resisted during his years of creating “Chappelle’s Show.”

“I fought the network very hard so that those conventions could come to fruition,” he said. “So, like the first episode I do, that black white supremacist sketch. And it’s like, ‘Well, that’s 10 minutes long. It should be five minutes long.’ Why should it be five minutes long? Like, these types of conventions.”

“Key & Peele” has earned multiple Emmy nominations and a 2016 Primetime Emmy Award for Outstanding Variety Sketch Series. Chappelle says that he “fought very hard” to help create the pair’s show format.

He added: “When I watch ‘Key & Peele’ and I see they’re doing a format that I created, and at the end of the show, it says, ‘Created by Key & Peele,’ that hurts my feelings.”

Watch more of Dave Chappelle’s “CBS This Morning” interview in the clip above.

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This Black Queer Love Story Is Exactly What The Comic World Needs

Black queer love between two women often goes underrepresented in any medium. 

Writer Tee Franklin wants to help change this with her forthcoming comic “Bingo Love.” It follows the fictional story of Hazel Johnson and Mari McCray, beginning from the time they fall in love as teenagers in 1963.

Their parents find out and forbid them from seeing each other again. The women lead separate lives, marrying men whom neither of them love. Hazel and Mari reunite at a bingo hall and old feelings surface. They divorce their husbands and live out their truth as a married couple, a light in which audiences rarely see elderly black women. Their love story extends all the way to 2030. 

The 80-page graphic novella is one of the first of its kind.

Franklin told The Huffington Post that some of her experiences as a queer woman of color helped inform her writing in “Bingo Love.” She said that she’s kept her sexual identity a secret out of fear and that she’s inadvertently coming out to her extended family as bisexual with this novella.  

“I know that there are black women and men who have had to hide their sexuality due to the time era and I know that there are some that are still hiding it,” she said. “As someone who’s been married, sometimes you stay for the kids ― even though you know that the love is gone. Hiding your sexual orientation for decades and not truly being happy inside is what I wanted to touch on with this story.”

Franklin, who created #BlackComicsMonth in 2015 to promote diversity in the straight white male-dominated industry, said inclusive stories like “Bingo Love” are crucial. She said that sometimes white superheroes aren’t as exciting as representation in comics.  

“It’s rare in the comic industry to have two black women leads, especially written by a disabled, queer black woman,” she said. “Now to have these protagonists queer and older? This will never happen in the comics industry unless someone does it on their own.”

The only superpowers Hazel and Mari have is the confidence to leave their past lives in their 60s and spend the rest of them together living their life to the fullest.
Tee Franklin, writer

With her Kickstarter campaign, Franklin wants to raise at least $19,999 to pay for her small, diverse creative team ― artist Jenn St-Onge, colorist Joy San, letterer Cardinal Rae and editor Erica Schultz ― printing and shipping. The writer said the response to her novella has been overwhelmingly positive. Her campaign has already raised more than $16,500 in only five days.

Franklin said she’s aiming to have the comic distributed before the end of the year. She said she hopes the novella shows readers that love is love, no matter what it looks like.

Love has no boundaries and it lasts forever. If there can be an Ellie and Carl from Disney’s ‘Up,’ there can be a Hazel and Mari in ‘Bingo Love,’” she said. “Once again, these topics aren’t discussed in comics and there definitely aren’t older queer black women around. But, you can have a Magneto who’s in his, what, 60s? 70s? The only superpowers Hazel and Mari have is the confidence to leave their past lives in their 60s and spend the rest of them together living their life to the fullest.”

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Poor, Minority Neighborhoods Have More Tobacco-Selling Shops Per Capita

(Reuters Health) – Neighborhoods with a high proportion of black residents or high poverty tend to have the greatest density of stores selling cigarettes and tobacco products, U.S. researchers say. 

Poverty explained some of the association, but an urban planning concept, neighborhood “stability” – including the proportion of homes that are rented versus owned – accounted for most of the link, the study team reports in Journal of Epidemiology and Community Health.

“The neighborhood you live in shouldn’t determine how much cancer-causing product is present in your day-to-day life,” said lead study author Joseph Lee of East Carolina University in Greenville, North Carolina.

“The tobacco industry spends a large portion of its advertising budget at retailers, so when we see differences by neighborhood, that’s a big investment by the tobacco industry,” he told Reuters Health.

There are about 375,000 stores in the U.S. that sell tobacco products, Lee’s team writes. In 2014, U.S. stores contained an average of 30 tobacco ads, they add. Cigarette smoking causes about 480,000 deaths each year in the U.S., which is about one of every five deaths, according to the Centers for Disease Control and Prevention.

Previous studies looking at the density of tobacco stores have mostly focused on small geographic areas, so it’s difficult to tell if the patterns are widespread the authors write.

They calculated the density of 90,400 tobacco outlets in 97 counties across the nation to get a broader picture. These 97 counties contain 79 million people, or about a quarter of the population, the authors note.

Across all counties, the average density of tobacco shops was 1.3 per 1,000 people. But as neighborhood income fell, density of tobacco shops rose. It also rose as the proportion of the neighborhood’s residents who were African American increased.

In addition, a high proportion of vacant housing units or a high proportion of rental units were tied to sharp rises in the density of stores selling tobacco.

Neighborhoods with a high proportion of Hispanic, white or Asian/Pacific Islander residents did not display changes in tobacco store density relative to race or ethnicity. 

“Environmental factors, including the location and density of tobacco retailers, have an influence on behaviors,” said Joanna Cohen, director of the Institute for Global Tobacco Control at the Johns Hopkins Bloomberg School of Public Health in Baltimore, who wasn’t involved in the study.

“The more accessible a product is, the more likely consumers are to purchase it,” she told Reuters Health by email. “This further contributes to the high toll of tobacco on racial and socioeconomic health disparities.”

Plus, Lee said, in neighborhoods with more tobacco outlets, stores are more likely to run price discounts and promotions, which boosts the advertising exposure and often prompts smokers who are thinking about quitting to buy another pack.

“Each time kids go to the store for a snack, to pay for gas, or to pick up bread and milk, they’re getting a dose of advertising,” Lee added. “Any gas station has a wall of tobacco products behind the register, and that makes them present, visible and normalized.”

One limitation of the study is that it doesn’t differentiate between types and sizes of stores, such as gas stations, grocery stores, pharmacy chains, alcohol stores, convenience stores, newsstands and the discount department store Walmart, which could affect density, the authors write.

In recent years, policy changes have aimed to prevent the sale of menthol and flavored cigarettes near schools in Chicago, San Francisco and Baltimore. Other policies have suggested removing cigarettes from pharmacies and selling little cigars and cigarillos in bundles rather than singles to increase cost, said Phillip Gardiner of the University of California in Oakland, who wasn’t involved in the current study.

“Smokers – especially young kids – are price sensitive,” he said. “We know that as price goes up, consumption goes down.”

“When used as advertised, smoking kills,” Gardiner said. “The tobacco industry is promoting it, and that’s not right.”

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Source: HuffPost Black Voices

Some Genius Transformed Your Favorite Memes Into Fine Art

Just when you thought nothing could have you rolling the way a good meme does, Afro-surrealist artist Alim Smith turned all your fave faces into fine art. 

From the timeless images of a teary-eyed Michael Jordan to the face of a confused Nick Young, Smith uses surrealism to exaggerate the hilarity of these folks.

Based in Delaware, Smith ― who derives inspiration from black popular culture in his artwork ― began posting these images in homage to what he refers to as “Black Meme History Month.”

Check out some of Smith’s brilliant creations below:

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Source: HuffPost Black Voices